In my expanding collection, Pistils and Petals: Dissolving Dichotomies, I use the metaphor of flowers to subvert traditional understandings of gender and sexuality. By transforming forms generally associated with male genitalia into floral shapes, I draw upon our shared anatomical structures—present in all of us, whether we identify as male, female, or intersex. This artistic endeavor finds its roots in the pioneering research of Dr. Helen O'Connell, who shed light on the intricate 'clitoral complex' present in all individuals. By emphasizing this shared biological element, I encourage viewers—particularly men—to reevaluate their preconceptions and acknowledge traits they may have previously considered exclusively feminine.

My artwork aligns with contemporary movements that challenge normative categorizations and advocate for a more intersectional understanding of identity. By recasting traditionally masculine forms into floral designs, I invite dialogue on the complexity and fluidity of gender and sexual identities. In this endeavor, I am profoundly inspired by esteemed pop artists Corita Kent and Evelyne Axell, who utilized their work as vehicles for societal commentary. Their vibrant, visually engaging artwork—imbued with depth and intent—resonates within my approach. I echo their commitment to reflecting the complexity and diversity of human experiences and identities through my paintings' rich colors and intricate forms. Moving beyond representation, I aim to question and disrupt preconceived notions of gender.